GROW UP! is a dual projector film and video work. The project comes at a critical moment in...
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THAT WOMAN2018
THAT WOMAN uses as source material the original Barbara Walters interview with Monica Lewinsky, which is intercut with...
![](http://sandra-davis.com/wp-content/uploads/SAISONNIERstill-600x449.jpg)
SAISONNIER2016
SAISONNIERE is another ode to places seen through the personal experience of the rubric of time. The soundtrack...
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FOR A YOUNG FILMMAKER / POUR UNE JEUNE CINEASTE2013
Ignorance Before Malice is an example of my one of my “big monsters” (as I think of them) ...
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IGNORANCE BEFORE MALICE2006
A true story – and the aesthetic sequelae of the filmmaker’s recovery process following a 1993 auto accident. ...
CREPUSCULE: POND AND CHAIR2002
My brother was disabled by muscular dystrophy and used a wheelchair for most of his life. Despite the...
![Bride Still](http://sandra-davis.com/wp-content/uploads/PreEvidBrideStill-600x400.jpg)
A PREPONDERANCE OF EVIDENCE1989/1999
Three women telling their own stories in a non-narrative, non-documentary form. How do inner conflicts of intimacy, sexual...
![](http://sandra-davis.com/wp-content/uploads/Davis_Evident_1_web-600x451.jpg)
EVIDENT / EVIDENCE1992
The premise of the “Landscape Revisited” exhibition at the Lakeland Museum was for artists to address landscape in...
![](http://sandra-davis.com/wp-content/uploads/Davis_Fois_1_web-600x450.jpg)
UNE FOIS HABITÉE1992/1999
The colors and breezes of the countryside and house in Normandy. The blue crockery, the yellow lichen, and...
![](http://sandra-davis.com/wp-content/uploads/A-LA-CAMPAGNEstill_web-600x449.jpg)
A LA CAMPAGNE1992/1999
The colors and breezes of the countryside and house in Normandy. The blue crockery, the yellow lichen, and...
![](http://sandra-davis.com/wp-content/uploads/AUSUDmaratineAdj1_web-600x447.jpg)
AU SUD1991/1999
The specific colors and tones and rhythms of a place in the south of France. The dryness of...
![](http://sandra-davis.com/wp-content/uploads/Davis_Architecture_2_web-600x450.jpg)
AN ARCHITECTURE OF DESIRE1988
I think of this film as one that led me very precisely through its composition. First, I was...
![](http://sandra-davis.com/wp-content/uploads/Davis_Matter_4_web-600x447.jpg)
MATTER OF CLARITY1981/1985
My own films usually begin with a question, and frequently lead into unexpected territory. MATERNAL FILIGREE began as...
MATERNAL FILIGREE1980
My own films usually begin with a question, and frequently lead into unexpected territory. MATERNAL FILIGREE began as...