THAT WOMAN uses as source material the original Barbara Walters interview with Monica Lewinsky, which is intercut with...
SAISONNIER2016
SAISONNIERE is another ode to places seen through the personal experience of the rubric of time. The soundtrack...
FOR A YOUNG FILMMAKER / POUR UNE JEUNE CINEASTE2013
Ignorance Before Malice is an example of my one of my “big monsters” (as I think of them) ...
IGNORANCE BEFORE MALICE2006
A true story – and the aesthetic sequelae of the filmmaker’s recovery process following a 1993 auto accident. ...
CREPESCULE: POND & CHAIR2001
My brother was disabled by muscular dystrophy and used a wheelchair for most of his life. Despite the...
UNE FOIS HABITEE1992-99
Some particular spaces, inhabited a while ago. Looking back into the Parisian courtyard, looking at the ladies at...
A PREPONDERANCE OF EVIDENCE1989-99
Three women telling their own stories in a non-narrative, non-documentary form. How do inner conflicts of intimacy, sexual...
AU SUD1999
The specific colors and tones and rhythms of a place in the south of France. The dryness of...
A LA CAMPAGNE1991-99
The colors and breezes of the countryside and house in Normandy. The blue crockery, the yellow lichen, and...
EVIDENT / EVIDENCE1992
The premise of the “Landscape Revisited” exhibition at the Lakeland Museum was for artists to address landscape in...
AN ARCHITECTURE OF DESIRE1988
I think of this film as one that led me very precisely through its composition. First, I was...
MATTER OF CLARITY1981-85
My own films usually begin with a question, and frequently lead into unexpected territory. MATERNAL FILIGREE began as...
MATERNAL FILIGREE1980
My own films usually begin with a question, and frequently lead into unexpected territory. MATERNAL FILIGREE began as...
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