GROW UP! is a dual projector film and video work. The project comes at a critical moment in...
THAT WOMAN2018
THAT WOMAN uses as source material the original Barbara Walters interview with Monica Lewinsky, which is intercut with...
SAISONNIER2016
SAISONNIERE is another ode to places seen through the personal experience of the rubric of time. The soundtrack...
FOR A YOUNG FILMMAKER / POUR UNE JEUNE CINEASTE2013
Ignorance Before Malice is an example of my one of my “big monsters” (as I think of them) ...
IGNORANCE BEFORE MALICE2006
A true story – and the aesthetic sequelae of the filmmaker’s recovery process following a 1993 auto accident. ...
CREPUSCULE: POND AND CHAIR2002
My brother was disabled by muscular dystrophy and used a wheelchair for most of his life. Despite the...
A PREPONDERANCE OF EVIDENCE1989/1999
Three women telling their own stories in a non-narrative, non-documentary form. How do inner conflicts of intimacy, sexual...
EVIDENT / EVIDENCE1992
The premise of the “Landscape Revisited” exhibition at the Lakeland Museum was for artists to address landscape in...
UNE FOIS HABITÉE1992/1999
The colors and breezes of the countryside and house in Normandy. The blue crockery, the yellow lichen, and...
A LA CAMPAGNE1992/1999
The colors and breezes of the countryside and house in Normandy. The blue crockery, the yellow lichen, and...
AU SUD1991/1999
The specific colors and tones and rhythms of a place in the south of France. The dryness of...
AN ARCHITECTURE OF DESIRE1988
I think of this film as one that led me very precisely through its composition. First, I was...
MATTER OF CLARITY1981/1985
My own films usually begin with a question, and frequently lead into unexpected territory. MATERNAL FILIGREE began as...
MATERNAL FILIGREE1980
My own films usually begin with a question, and frequently lead into unexpected territory. MATERNAL FILIGREE began as...
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